Each ceramic work begins slowly, built by hand using traditional coiling techniques. Forms are shaped layer by layer until they reach a quiet symmetry achieved through patience and a trained eye.

Once fired, the surface becomes a ceramic canvas. I paint each piece using my own hair as a brush, allowing movement, gravity, and intuition to guide the mark-making.

There is no sketch or predetermined outcome—only a limited palette and the moment itself. Each piece records the conditions under which it was made: emotion, energy, and traces of the subconscious.